http://hdl.handle.net/11716/30 2026-07-19T09:50:19Z 2026-07-19T09:50:19Z Kozaczewski, Jakub http://hdl.handle.net/11716/14211 2026-07-14T06:17:38Z 2023-01-01T00:00:00Z

Kraków? Jerozolima? Problemy z przestrzenią, czasem i tożsamością w wierszu Ryszarda Krynickiego "Tak, jestem" Kozaczewski, Jakub The article is an attempt at analyzing and interpreting one of the latest and most important poems by Ryszard Krynicki Tak, jestem. A special consideration has been given to three problem areas in the poem: time, space and identity. The author concludes that the poem is a kind of summary of the artistic career of the poet, particularly in the context of identity: as a reconciliation with his own poetic vocation and its consequences. He emphasizes the significant role of equalizing the fate of poets with persecuted Jews in this process, which was accomplished by Marina Cwietajewa. He discusses an original and personal approach to this painful topic against the background of European and Polish artists, who are close to Krynicki.

2023-01-01T00:00:00Z Cichocka, Marta Eloy http://hdl.handle.net/11716/14209 2026-07-14T05:58:25Z 2023-01-01T00:00:00Z

Grunt to historia? Vicente Luis Mora i jego "Centroeuropa" (2020) jako metapowieść intrahistoryczna Cichocka, Marta Eloy The purpose of the essay is to introduce the figure of a contemporary Spanish author, Vicente Luis Mora, and his novel Centroeuropa to the Polish literary researchers, as well as to analyze the special character of this novel in terms of reading agreement and the most adequate terminology concerning the literary genre, to which it belongs, based on the form oftypological characteristics of a novel that includes ten essential points: paratext, plot, narration, time structure, poetics, the question of mimesis, the loyalty of history towards History, metatextuality, ideological character and the strategies used by the author. On the basis of these reflections it can be concluded that Centroeuropa by Vicente Luis Mora is a metanovel about a man who is looking for his way in a breakthrough moment in the history of Europe, between the 18th and 19th century, in the declining feudal‑absolutist Prussia and the emerging liberal‑capitalist Prussia, in the embryonic society, where economic and political norms haven’t been fully constructed yet and women are not full‑fledged members of society. Centroeuropa is a multi‑dimensional novel inspired by the past of Central Europe, but – above all – a metanovel about writing and its servitude.

2023-01-01T00:00:00Z Ryrych, Tomasz http://hdl.handle.net/11716/14204 2026-07-13T08:40:00Z 2023-01-01T00:00:00Z

Przemrażanie historii. "Lód" Jacka Dukaja jako metapowieść historiograficzna Ryrych, Tomasz The purpose of the article is to demonstrate that Lód by Jacek Dukaj might be interpreted – referring to the methodology of Linda Hutcheon – as a historiographic metanovel. The most important element indicating such a clue is the shift from an allohistorical narration to a story about the nature of history itself. Dukaj treats history as if it were a personal character in his novel. The notable and almost freezing over presence of history in Lód proves that an attempt at this kind of reading enables interpretive endeavours in the context of the entire contemporary historiographic discourse that was initiated by the works of Hutcheon or Hayden White. The traces of postmodernist persiflage allow to look at Dukaj’s novel in a context that is much broader than only word‑building fiction, which is far too often categorized as popular literature. The author of Lód – as I have been trying to show – has turned his work into a treatise about the mechanisms that rule history, posthistory and postmemory, which in the Polish culture seems to be a direct answer to the concept of romantic paradigm, as proposed by Maria Janion.

2023-01-01T00:00:00Z Sadlik, Magdalena http://hdl.handle.net/11716/14191 2026-07-10T06:40:18Z 2023-01-01T00:00:00Z

„Nie burza to była, ale dziejowy HURAGAN” – wokół powieści Wacława Gąsiorowskiego Sadlik, Magdalena The paper is devoted to the first and at the same time the most famous novel by Wacław Gąsiorowski – Huragan (Hurricane, 1901), which began the “Napoleonic Trilogy”. In the introduction, its origins and the history of reception have been presented, followed by: a literary image of the Napoleonic era and the world of heroes, with a particular emphasis on the figure of Joanna Żubrowa – a sergeant in the army of the Duchy of Warsaw, the first woman to be decorated with the Virtuti Militari Order. The patron and master of Gąsiorowski, who often referred to the model of a “cloak and sword novel”, was Henryk Sienkiewicz. However, Huragan, which can be situated between Trylogia and Popioły, also demonstrates Young Poland origins.

2023-01-01T00:00:00Z