http://hdl.handle.net/11716/6741 2026-04-28T18:42:57Z 2026-04-28T18:42:57Z Stano, Bernadeta http://hdl.handle.net/11716/7385 2020-09-23T11:28:19Z 2005-01-01T00:00:00Z

Trudna kohabitacja. Problemy ekspozycji okresu Odwilży (1955-1960) Stano, Bernadeta Exhibiting is usually shaped by different factors such as characteristic features of the exposed pieces of art, accommodation, policy of a “gallery”, designer’s (painter’s, interior designer’s, and less frequently stage designer’s) imagination. The sketch makes an attempt at analysing the most interesting cases of artistic exhibitions from three regions of southern Poland: Cracow, Zakopane and Rzeszów during the period of Thaw. At that time artists and exhibition designers, escaping the dictatorship of soc-realism doctrine, learnt how and where to expose their ideas in public. Their fundamental achievement was such a placement of exhibited objects that an interesting arrangement of the gallery interior could be reached with independence and legibility of each single item. Few such projects succeeded, mainly in Cracow. What contributed to the success was the designer’s talent, his/her creativity combined with particular physical means. It was a period during which only selected and usually young people tried to overcome bad exhibiting traditions of previous generations. For them, the kind of works did not play a major role although a new wave of abstract painting and experimental sculpture compositions during the period of Thaw was a signal to view the problem in new light. With an increasing number of exhibits and their versatility, the demand for exhibition rooms grew as well. That was why acquiring extra space for the implementation of fresh ideas had a positive impact on new designers. Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych".

2005-01-01T00:00:00Z Krasnowolski, Bogusław http://hdl.handle.net/11716/7384 2020-09-23T11:27:19Z 2005-01-01T00:00:00Z

Tożsamość i historia w sztuce małopolskich środowisk zakonnych XVII i XVIII wieku Krasnowolski, Bogusław Baroque brought about an increase of the interest in historical subjects in monastic circles. A tendency towards vivid illustration of abstract concepts and towards creating complete programmes ideologically and structurally, that was characteristic of the epoch, produced literary and artistic synthesis of monastic ideas and history, in which hagiographic trend is more and more difficult to be separated from growing historical interests preceding the historical thought of the Enlightenment. Complete analysis of the formation of historical awareness in monastic communities goes beyond the boundaries of the presentation; what we focus on are the examples of art (mainly monastic) of Cracow and its surroundings. Comprehensive treatments of the decor glorifying the monastic history are constituted by: conversion of the interior of the Corpus Christi church in the Cracow district of Kazimierz (1612- 44), decoration of the library at the monastery of Carmelites in Piasek near Cracow (1698), baroque modifications of the interiors of the churches of Cistercians in Jedrzejow (1734-9), Franciscans in Nowy Korczyn (1753-61), Custodians of the Holy Grave in Miechów (1765-71). The historical motifs were related to the cult of the founders (“history” of Casimir the Restorer in the Tyniec series of paintings, 1643-4; baroque modifications of the churches of Norbertines in Imbramowice 1717-25, Benedictines in Staniatki 1759-62), history of the church in Poland was glorified through the cult of the Polish saints (e.g. the decor of the Jesuit church of St. Peter and St. Paul’s 1619-33, the university church of St. Anne’s 1695-1703). Historical interests in creating ersatz geography (“transferring” pilgrimage centres to the vicinity of Cracow), noticeable already in Miechów (the Lord’s Grave, ca. 1530), are typical of the first half of 17th century (Kalwaria Zebrzydowska, Alwernia). Analysis of the monastic culture and art of the era of crisis of the Republic demands a verification of the thesis that monasteries were the reservations of backwardness. The image of the Polish culture of baroque is defective: the domination of religious art over secular one corresponds to early medieval proportions. Presenting notions in terms of emblems, anachronous for 18th century, is barely a substitute of intellectual speculation. However, it would be worth considering, what would have happened with the Polish culture if there had not been even those anachronous phenomena. Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych".

2005-01-01T00:00:00Z Moskała, Stanisław http://hdl.handle.net/11716/7383 2020-09-23T11:25:47Z 2005-01-01T00:00:00Z

Prekolumbijska rzeźba Meksyku i jej wpływ na moją twórczość Moskała, Stanisław The area of Central America in pre-Columbian times was a mosaic of peoples, languages and cultures. Over centuries it was inhabited by various tribes in mutual interaction, among which the major ones were Olmecs, Totonacs, Huastecs, Teoticuacan culture, Toltecs, Zapotecs, Aztecs and Maya. Some of these cultures found their best expression in sculpture introducing their own and new expressive means. Their art was most influential and indirectly affected my own creative output. That is especially visible in ceramic sculpture. Ceramics as a sculpting material was oldest and most widely used in Mexico. What some cultures left behind were only sculptures and pottery, and it was thanks to ceramics that we could gather knowledge about them. Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych".

2005-01-01T00:00:00Z Jędrysiak, Jerzy http://hdl.handle.net/11716/7382 2020-09-23T11:24:36Z 2005-01-01T00:00:00Z

Świat widziany i opisany - notatki o grafice i rzeczywistości Jędrysiak, Jerzy The author presents sources and inspirations of his graphic output; on the one hand, indicating the process of chiselling out forms on a matrix, and on the other hand, forming consciously and unconsciously metaphoric meanings of figurative works. The artist emphasizes the role of literature and Podhale culture as well as behaviour and creations of children who are his main inspiration. Portrait, which is “the soul’s mirror” and not just imitation of facial features, is considered to be Jędrysiak’s main genre. According to him, such portraits are merely found in the output of few artists of the 19th and 20th centuries. The author, referring to Ernst Gombrich, highlights the role of suggestion and imagination in art, which is extremely important in the area of art perception, consciously breaking away from illusoriness and probability of realistic conventions. The Netherlands, with its art, culture and geography is mentioned as another inspiration for Jędrysiak. He concludes his text with a comparison of his art to an endless story. Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych".

2005-01-01T00:00:00Z