http://hdl.handle.net/11716/10289 2026-05-01T17:57:35Z http://hdl.handle.net/11716/10312 On Nowa Huta in Dunaújváros. „Cities of a New Type. New Industrial Cities in Popular Democracies After 1945”, 21–22 May 2015. Post-Conference Reflections Stano, Bernadeta Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych". 2016-01-01T00:00:00Z http://hdl.handle.net/11716/10311 Sztuka graficzna czy zapis wizualny Dutka, Agnieszka The author of the paper provides a closer look at the question of a peculiar tension between the domain of illustration practiced as a visualization of scientific issues and illustration as a work of graphic arts where the aesthetic values come to the fore. The analysis examines prints produced in traditional woodcut and intaglio printing techniques. The analyzed works illustrate anatomical (Jacques Gautier-D’Agoty, Ferguson’s Astronomy), geographical (Ebstorf Map, Petrus Apianus), and botanical themes (Historia animalium, Conrad Gessner, Pierre Jean François Turpin, Elieser Bloch, Maria Sybilla Merian), as well as those which came into existence influenced by the modern technologies of creation, production, and distribution (Maria Mizzaro, Franco Cianetti). An attempt was made at emphasizing coincidences between selected anatomical visualizations and works of modern art. Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych". 2016-01-01T00:00:00Z http://hdl.handle.net/11716/10310 60 bananów i 127 trumien Titusa-Carmela Siatka, Krzysztof The works of French artist Gerard Titus-Carmel in the late 1960s and 70s met with great interest in critical and philosophical thinking. Jacques Derrida devoted one of his most important essays, entitled Carthage, to one of Carmel’s works. The cycle of 127 drawings, entitled The Pocket Size Tlingit Coffin, is the documentation of an enigmatic and symbolic box which purpose is not entirely known. The artist used a variety of techniques and drawing manners to create a variation on the image of a strange object every day. In the course of the accumulation of representations, the source of the inspirational cycle has moved away. The series, conceived as a research process aimed at learning nature, could be the destination of a Pocket Coffin, resulting in narrative thickening and, in fact, budding ignorance of the paradigm that was to be resolved, clarified, and explored at the beginning. The Titus-Carmel project, located in the Parisian Pompidou Center collection, is a forgotten example of conceptual flow in visual arts and a very important model of the work that highlights the process of creation over the final physicality of the object. It is a great reflection on the meaning of gestures of repetition, multiplication or reproduction, so important for the philosophy of contemporary art. The Pocket Size Tlingit Coffin inspired Jacques Derrida to create an analogue textbook-diary that in subsequent chapters, written daily with reference to subsequent drawings, deconstructs concepts such as original and copy, the beginning and the end, or imagines possible paradoxes, such as the existence of copies without original, or secondary of the original with respect to the copy. The dialogue of the artist and philosopher is one of the most interesting interdisciplinary speculations in the art of the second half of the 20th century. Both creators have expanded the genre of dialogue and journal to deconstructive method of cognition. Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych". 2016-01-01T00:00:00Z http://hdl.handle.net/11716/10309 Fotografia dokumentalna – pomiędzy sztuką a nauką Zarembska-Szatan, Kamila In the following article the author proposes a new approach to photo-document as a technology and its location on the border between the two matchmakers – art and science. Photography is a research tool that really contributes to the increase of knowledge about the world, brings new knowledge in a par with other scientific disciplines. On the other hand, many professional photographers demand that their work is seen through the prism of artistic criteria, a natural consider displaying their works in galleries and publishing them in albums. Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych". 2016-01-01T00:00:00Z