http://hdl.handle.net/11716/30 2026-04-08T21:28:06Z http://hdl.handle.net/11716/13805 Smaki dziedzictwa. Kulinarne wartości regionów w kontekście kulturowej tożsamości Kuropatnicki, Andrzej K. Artykuł analizuje, jak tradycje kulinarne wpływają na kształtowanie tożsamości regionalnej. Autor podkreśla, że kuchnia jest kluczowym elementem kulturowego dziedzictwa, przekazywanym z pokolenia na pokolenie. Regionalizm kulinarny wynika z unikalnych warunków geograficznych, historycznych i społecznych, co prowadzi do wykształcenia odrębnych tradycji kulinarnych. Ruchy regionalistyczne, które dążą do ochrony lokalnych tradycji, widzą w kuchni nie tylko element codziennego życia, lecz także symbol regionalnej dumy i tożsamości. W artykule omówiono przykłady z różnych regionów świata, takich jak: Toskania, Prowansja, Kiusiu, Oaxaca, Irlandia, oraz Polski, pokazując, jak lokalne tradycje kulinarne odzwierciedlają historię, kulturę i gospodarkę danego obszaru. Kuchnia – dzięki swojej specyfice i lokalnym składnikom – staje się nośnikiem kulturowego dziedzictwa i przeciwdziała globalnej uniformizacji. Autor konkluduje, że regionalne tradycje kulinarne stanowią fundament wspólnotowego doświadczenia, przyczyniając się do budowania więzi społecznych oraz kształtowania lokalnej i narodowej tożsamości.; The article analyses how culinary traditions influence the formation of regional identities. The author emphasizes that cuisine is a key element of cultural heritage, passed down through generations. Culinary regionalism arises from unique geographical, historical, and social conditions, leading to the development of distinct culinary traditions. Regionalist movements seeking to preserve local traditions view cuisine not only as an aspect of everyday life but also as a symbol of regional pride and identity. The article presents examples from various regions of the world, such as Tuscany, Provence, Kyushu, Oaxaca, Ireland, and different parts of Poland, illustrating how local culinary traditions reflect the history, culture, and economy of each area. Cuisine, with its specific characteristics and use of local ingredients, serves as a vehicle for cultural heritage and helps resist global homogenization. The author concludes that regional culinary traditions form the foundation of community experience, contributing to social cohesion and shaping both local and national identity. 2025-01-01T00:00:00Z http://hdl.handle.net/11716/13784 Leontes or the desire for nothingness. Stanley Cavell’s reading of Shakespeare’s The Winter’s Tale Filipczuk, Michał This text provides an overview of various themes related to the desire for nothingness and how this desire manifests in the protagonist of The Winter’s Tale, as interpreted by Stanley Cavell. A particularly novel interpretation proposed by Cavell emphasizes Leontes’ desire for nothingness. In Cavell’s reading, this desire for nothingness is the central problem of the drama. This formulation allows Cavell to identify a new aspect of Leontes’ narcissistic skepticism: a nihilistic dimension linked to the metaphysical problem of existential debt. In this way Cavell’s formulation places Leontes alongside other Shakespearean skeptics that he has examined in his other essays included in the Disowning Knowledge, revealing a new epistemological dimension of Leontes’ attitude, which has often been overlooked in traditional interpretations of The Winter’s Tale. In the last part of the text I’m also dealing with strictly epistemological consequences of Leontes’ nihilism for his attitude toward language. The most important aspect of this is his rejection of shared linguistic norms and commonly accepted criteria of meaning. This is one more aspect of is nihilism. This research was funded in whole or in part by National Science Center, Poland [Project number: 2021/41/N/HS1/03172]. For the purpose of Open Access, the author has applied a CC-BY public copyright licence to any Author Accepted Manuscript (AAM) version arising from this submission. 2026-01-01T00:00:00Z http://hdl.handle.net/11716/13757 The Narcissistic Skeptic and the Human Community: Shakespeare’s Coriolanus as Read by Stanley Cavell Filipczuk, Michał In this paper, I reconstruct Cavellian reading of Shakespeare’s Coriolanus. Stanley Cavell stands out as an original interpreter of Coriolanus due to his perspective on its specific themes and motifs. While they have been explored in earlier – mostly psychoanalytical and political – interpretations of the play, Cavell studies them through the lens of his concept of narcissistic skepticism. Framing the question of the narcissistic skeptic versus the human community highlights the particular value of Cavell’s perspective. It incorporates a political theme within the context of a psychoanalytical approach, while simultaneously going beyond it and leading to a unique synthesis of both areas. As a result, it allows for conclusions to be drawn about the political nature of the human community and its defining characteristic, which Cavell identifies as being rooted in language. 2025-01-01T00:00:00Z http://hdl.handle.net/11716/13750 Do language expressions have “deeper meanings”? The issue of metaphor in the context of Cavellian interpretation of Samuel Beckett’s Endgame Filipczuk, Michał According to Cavell, in his Endgame Beckett consequently deploys the so called ‘hidden literality [of meaning]’ strategy which expresses itself in a sort of decomposing or, as we may even say, de-constructing exchanges between the protagonists into atomic particles – as if to reach the simplest, basic meanings of their language. In the following remarks I pose the question if literalization – so conceived – is at all possible without falling into nonsense, so mercilessly exposed by Beckett in his text. In the end, I draw a conclusion – going beyond Cavell’s analyses – that the Endgame seems to suggest unavoidability of the metaphor as a means of communication in everyday life.; Według Cavella w tekście Końcówki Beckett konsekwentnie realizuje tzw. strategię „ukrytej literalizacji [znaczeń]”, wyrażającą się w rozkładaniu na czynniki pierwsze, a nawet, jak moglibyśmy dziś powiedzieć, na swego rodzaju dekonstruowaniu dialogów protagonistów sztuki oraz ich języka na najprostsze cząstki – tak by móc dotrzeć do najbardziej elementarnych sensów ich wypowiedzi. W poniższym tekście stawiam pytanie o to, czy tak rozumiana literalizacja jest możliwa bez popadania w nonsens, bezlitośnie obnażany przez Becketta w jego dramacie. W konkluzji niniejszych uwag – już wykraczając poza analizy Cavella – stwierdzam, że tekst Końcówki skłania do wniosku o nieuchronności metafory jako środka komunikacji w codziennych sytuacjach językowych. This research was funded in whole or in part by [National Science Center in Poland - project number: 2021/41/N/HS1/03172]. For the purpose of Open Access, the author has applied a CC-BY public copyright licence to any Author Accepted Manuscript (AAM) version arising from this submission. 2022-01-01T00:00:00Z