<?xml version="1.0" encoding="UTF-8"?><rdf:RDF xmlns="http://purl.org/rss/1.0/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel rdf:about="http://hdl.handle.net/11716/6027">
<title>2004, Studia Historicolitteraria 4</title>
<link>http://hdl.handle.net/11716/6027</link>
<description/>
<items>
<rdf:Seq>
<rdf:li rdf:resource="http://hdl.handle.net/11716/6047"/>
<rdf:li rdf:resource="http://hdl.handle.net/11716/6046"/>
<rdf:li rdf:resource="http://hdl.handle.net/11716/6045"/>
<rdf:li rdf:resource="http://hdl.handle.net/11716/6044"/>
</rdf:Seq>
</items>
<dc:date>2026-04-30T02:27:14Z</dc:date>
</channel>
<item rdf:about="http://hdl.handle.net/11716/6047">
<title>Dlaczego reklama może być interesująca dla literaturoznawcy?</title>
<link>http://hdl.handle.net/11716/6047</link>
<description>Dlaczego reklama może być interesująca dla literaturoznawcy?
Sosin, Beata Klaudia
The interest in interdisciplinarity in contemporary culture in Poland goes back to the turn of 1980-ties and &#13;
1990-ties. It also encompasses the sphere of communication which is the meeting point of two important areas, &#13;
namely the study of the new media (commercials) and the theory of literature. The very approach towards the media &#13;
has been transformed from the passive to the critical one. The research, however, lags behind such changes as it &#13;
is very difficult, for the literature specialist to depart from the model of culture represented by the book, a &#13;
symbol of the linear literature, towards the medial culture whose metaphor is TV or the Web. The essay &#13;
investigates advertising which influences us by using metaphor, among others, or intertextual associations, not &#13;
only as “an icon of the consumer culture” but as the one that has a co-creative power. It also answers the &#13;
question of why academics should analyse advertising.&#13;
In the section devoted to the metaphor, the issue is considered whether it functions merely as a rhetorical &#13;
figure with autotelic functions; whether it is a descriptive factor (communication and description); or whether, &#13;
first of all, it influences connotation of the message (additional informative and aesthetic or emotional values &#13;
created through associations). The conclusion is reached that in the commercial, the metaphor is primarily a &#13;
model of cognition, a figure of thought, and not just a stylistic device.
</description>
<dc:date>2004-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/11716/6046">
<title>Użytkowa i poetycka funkcja metafory. O metaforze maszyny w analizie organizacji przedsiębiorstw i w poezji</title>
<link>http://hdl.handle.net/11716/6046</link>
<description>Użytkowa i poetycka funkcja metafory. O metaforze maszyny w analizie organizacji przedsiębiorstw i w poezji
Marczyk, Krzysztof
The present article compares (cognitively) a poetic metaphor of the machine with the so- called organisational &#13;
metaphor of the machine which functions in the analysis of enterprise structure. The analogy between the style of &#13;
futurist poetry and the company management style was observed in the common mechanistic image of extra-linguistic &#13;
reality. Text analysis proved that the machine metaphor is of interdisciplinary character and does not only &#13;
combine linguistics and neuroscience but also literature, economy and everyday living.
</description>
<dc:date>2004-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/11716/6045">
<title>Gry intertekstualne na tekście filmowym : opis mechanizmów</title>
<link>http://hdl.handle.net/11716/6045</link>
<description>Gry intertekstualne na tekście filmowym : opis mechanizmów
Ogonowska, Agnieszka
The author focuses on the problem of intertextuality considered in the context of iconic texts. A considerable &#13;
emphasis is put on the analysis of ways of comprehending the relations between texts and typology of those &#13;
relations using the example of a film, video clip or commercial. The issue of auto-subject as a peculiar type of &#13;
intertextuality and communication games with the recipient are devoted special attention to in the article. What &#13;
constitute the framework of all analysed problems are the changes in the contemporary culture, including the &#13;
audiovisual landscape in its broad perspective.
</description>
<dc:date>2004-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/11716/6044">
<title>Tęsknota za realnością. Psychologiczna interpretacja odwołań do malarstwa i rzeźby w poezji Zbigniewa Herberta</title>
<link>http://hdl.handle.net/11716/6044</link>
<description>Tęsknota za realnością. Psychologiczna interpretacja odwołań do malarstwa i rzeźby w poezji Zbigniewa Herberta
Cieszyńska, Jagoda
The author searches for an answer to the question of the sense of spatially expressed poetry through “quotations” &#13;
of painting and sculpture. She discovers frequent references to spa- tiality of painting, sculpture and &#13;
architecture in Zbigniew Herbert’s poetry, and she tries to explain those in terms of the functioning of the left &#13;
and right brain hemispheres. In the binary opposition between visual signs (spatial, right-hemispheric) and &#13;
language signs (temporal, left-hemispheric) additional meanings are found, which are attempted to be synthesized &#13;
by the author.
</description>
<dc:date>2004-01-01T00:00:00Z</dc:date>
</item>
</rdf:RDF>
