http://hdl.handle.net/11716/8628 2026-04-08T21:44:02Z http://hdl.handle.net/11716/12311 O iluzji czasu, sklonowanym życiu, wirtualnym raju, sztuce i edukacji w Second Life Petry, Małgorzata The author uses the term virtual world to describe Second Life (SL), the product of the US company Linden Lab from San Francisco launched in 2003. Using avatars, its users move in a three-dimensional space as in many other multiplayer online games. The author points out differences between such games and Second life. She discusses all most significant elements of the project, inter alia the genesis of the avatar figure as well as its advantages and disadvantages. In particular, she focuses on the presence of culture and art in the virtual space as presented in the equivalents of real cities, their monuments, schools and universities, museums and private galleries as well as works of art themselves. Further, the author discusses issues related to ethical values and various forms of spirituality generated within the framework of this project. 2010-01-01T00:00:00Z http://hdl.handle.net/11716/12310 Warsztat podręczny Juliana Jończyka Stano, Bernadeta Art historians tend to identify Julian Jończyk with a few trends in art such as material painting at the outset of his work in the 2nd half of the 1950ies and concrete poetry, as well as performance and environment installations started in the mid-1970ies. In particular, the paper investigates the second phase of the artist’s work, with focus on projects and works related to both the artist’s own texts and his image of his body, united by the joint category of space. The artist presented his ideas in detailed conceptual essays. His works are richly documented by photographs and carefully edited catalogues. Yet Jończyk’s oeuvre still waits for a thorough academic analysis. 2010-01-01T00:00:00Z http://hdl.handle.net/11716/12309 Szalone lata 80. i 90. Wokół grafiki własnej Oramus, Romuald The text contains the author’s reflections upon his own printmaking output created over the two decades, but it also goes back to the 1970ies and describes the atmosphere at the printmaker’s workshops at the Academy of Fine Arts in Kraków. Summing up this period, the author concludes that in depictions of figures there dominated geometrized planes of black while colours were flat and contrasted with more expressively depicted physiognomies. In the following series of etchings, aquatints and drawings from the 1980ies there appear existential motifs linked with the folk socio-political context. They present a commentary on the reality of the day. Most of them are monochromatic compositions, usually black and white, some of them, however, have their colour equivalents made in a monotype-related technique. 2010-01-01T00:00:00Z http://hdl.handle.net/11716/12308 Peregrynacje prywatne. O rysunkach Piotra Jargusza Stano, Bernadeta The paper is an impression concerning Piotr Jargusz’s drawings: their inspirations, their creation methods and their presentation to the public. 2010-01-01T00:00:00Z