http://hdl.handle.net/11716/4557 Sat, 18 Apr 2026 09:45:17 GMT 2026-04-18T09:45:17Z http://hdl.handle.net/11716/4608 Uwagi o pochodzeniu gwary muszyńskiej Bednarczuk, Leszek On the basis of the contrastive analysis of Muszyna dialect conducted by professor Eugeniusz Pawłowski, the author of the present study came to the conclusion that the dialect was formed under the influence of the Slovakian language in the epoch before the Łemek colonisation, and it is a remnant of the oldest Polish settlers’ stratum in the Karpaty region. Tue, 01 Jan 2002 00:00:00 GMT http://hdl.handle.net/11716/4608 2002-01-01T00:00:00Z http://hdl.handle.net/11716/4607 Osobliwości regionalnego języka Muszyny i Tylicza Pawłowski, Eugeniusz As a result of the separation of Muszyna and Tylicz from the homogeneous region of Polish language by the belt of Łemek (West-Ukrainian Karpatian dialect) villages, a dialect was created in both towns, which on the one hand combines archaisms (especially lexical), and on the other innovations, which are difficult to explain and which were heavily influenced by the Łemek (Ukrainian), Slovakian and Hungarian neighbours. Tue, 01 Jan 2002 00:00:00 GMT http://hdl.handle.net/11716/4607 2002-01-01T00:00:00Z http://hdl.handle.net/11716/4606 Kilka uwag o językowym świecie Izaaka Babla Żeberek, Teresa The conducted analysis comprises those images of reality described by Babel, which constitute the writer- ornamentalist’s characteristic substance. Such writer tends to seek a theatrical ornamentation in the surrounding world, its exquisite colour, and a detail, which can adopt an extraordinaiy standing. Not only the artistic prose of Armia Konna was taken into consideration but also the text of Dziennik, which could be treated as the rough material for this sequence of works. The presentation of the scene of events depicted from the perspective of writer Lutow, who is the narrator, undergoes the analysis. His attention is attracted by whatever happens on the ground, in the landscape, sky, the sun, the moon; and the presentation is conducted with the use of rich rhetorical figures and in the fairy-tale manner. On the one hand, such a description reflects the wealth of the inner world of the observer, lonely amidst the Cossacks; on then other hand, it depicts cruelty and death brought about by the war. The author draws the attention to Poles and Poland in the works and personal notes of the writer, which are in fact much different from what is usually attributed to the writer. Tue, 01 Jan 2002 00:00:00 GMT http://hdl.handle.net/11716/4606 2002-01-01T00:00:00Z http://hdl.handle.net/11716/4605 Verba dicendi wprowadzające mowę niezależną w "Panu Tadeuszu" (na przykładzie ks. VII) Zarębina, Maria There exist various theories about the function performed by verba dicendi in the syntactic structure. The author of the present study adopted the meta-informative perspective. In the epic Pan Tadeusz the seventh book entitled Rada (The Council) includes most illustrative material and, although it is the shortest of all the books (553 verses), it is in its half a dialogue or even multilogue. 25 verb entries of the verba dicendi type occur 87 times in the text (most frequent ones are krzyknąć fr = 13 and rzec fr = 12). These verbs either report the process of encoding information (e.g. mówić, powiedzieć, ozwać się) or perform the transmitting and reporting function (e.g. krzyczeć, wykrzykiwać, brząknąć, pisnąć, wrzasnąć); they can also characterise the situation in the information transmission process (e.g. ciągnąć, prawić, przydać, kończyć) or exchange of information (e.g. prosić, odpowiedzieć, spytać, powtórzyć); finally they block information (przerwać). There also occur word groups with a noun, which are synonymous with reference to verbs (e.g. powstał krzyk, zabrał głos). The verb gadać (fr = 48), which is most characteristic of Mickiewicz in general and of Pan Tadeusz in particular, does not function as the introductory element of direct speech. Tue, 01 Jan 2002 00:00:00 GMT http://hdl.handle.net/11716/4605 2002-01-01T00:00:00Z