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dc.contributor.authorChudziński, Edwardpl_PL
dc.date.accessioned2019-09-20T08:51:55Z
dc.date.available2019-09-20T08:51:55Z
dc.date.issued2002
dc.identifier.citationAnnales Academiae Paedagogicae Cracoviensis. 11, Studia Historicolitteraria 1 (2002), s. [113]-120pl_PL
dc.identifier.urihttp://hdl.handle.net/11716/5929
dc.description.abstractAs indicated in its title, the article presents the relations between the counter-culture and post-modernism. The author's standpoint is that those links are not always perceived and realised in the contemporary reflection on post-modernism. Both phenomena occurred more or less in the same time (the sixties), which enabled mutual influences and inspiration, especially in the area of artistic search. The proof of that, according to the author, are the STU Theatre shows from the 1970-ties (Spadanie, Sennik polski, Donkichoteria), which after years can be read as manifestations of post-modernist aesthetics (Spadanie, Sennik polski), and even post-modernist outlook {Donkichoteria). Additional spice is the fact that the authors of the mentioned plays, which are considered to be the leading achievements of altemative/counter-culture theatre, only today are labelled predecessors of post-modernism, because in the 70-ties both they and the audience were not aware of it.en_EN
dc.language.isoplpl_PL
dc.titleKontrkultura i postmodernizm. Na przykładzie Teatru STUpl_PL
dc.title.alternativeCounter-culture versus post-modernism. The example STU Theatreen_EN
dc.typeArticlepl_PL


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