Browsing 2013, Studia de Cultura 5 by Title
Now showing items 11-26 of 26
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Magazyn dla kobiet jako opowieść
(2013)On the fiction pages of women’s weeklies representing mainstream popular culture, there is a constant migration of literary genres from elite culture into a mix of magazine narratives. As a result, the language and style ... -
Ponglish jako przykład adaptacji językowo-kulturowej
(2013)This paper is devoted to the linguistic and cultural integration of Polish immigrants in Great Britain. Together with the onset of the mass immigration of Poles to Britain in 2004, our UK-based compatriots entered a ... -
Proza żołnierska I wojny światowej i jej «re-kreacje» w Lekcji martwego języka Andrzeja Kuśniewicza
(2013)Polish prose of the First World War is mostly associated with the Polish Legions. Agnieszka Prószyńska has established that works showing battles of the Polish Legions and other national volunteer formations have similar ... -
„Przepis na adaptację” Jana Jakuba Kolskiego i jego realizacja w filmie Wenecja
(2013)In 2010 Jan Jakub Kolski published his book: Pamięć podróżna. Fragmentozbiór filmowy. In the book Kolski expresses his opinion on film adaptation from the point of view of a practitioner; in a methodical and practical ... -
Przyjemność „instant” w formatach rozrywkowych z perspektywy procesów poznawczych i emocjonalnych
(2013)The article examines some issues of psychological determinants in the context of potential gratification arising from the customer’s involvement in the reality mediated by the media. Using the construct of cognitive ... -
Sensotwórcze możliwości adaptacyjne typografii kinetycznej. Rekonesans badawczy
(2013)Kinetic Typography is, generally speaking, animated text. It has been considered purely in terms of graphics as well as a new kind of communication, bringing some of the expressive power of film. It is worth looking at ... -
Strategie obrazu. O „adaptacjach” Jeana-Luc Godarda
(2013)The article results from introductory research into the question of broadly defined pictorialness of film images in Jean-Luc Godard’s works. Strategies of the image inscribed by the director in his own films may be ... -
Transmedialne „ja” – czyli podmiot performatywny w relacji z kulturą
(2013)The author discusses the performative production of identity by the reception of films, theatre and installation art space. The author emphasizes the transgressive way of participation in cyberspace. Modernist, “locating” ... -
Twórca hiphopowy jako artysta intermedialny: άοιδός, vates, performer
(2013)This paper will analyze the hip-hop art composition as an intermedial structure created from such elements as: musical text, post-typographic orature and visual image, in which the postmoderm poetics is linked with ... -
Twórczość Chrisa Eyre’a w kontekście problemów filmowych adaptacji
(2013)Chris Eyre is a native American independent filmmaker. Some of his films are based on the books by Sherman Alexie and Tony Hillerman. At the same time, Eyre adapts American mainstream film genres (road movies, sport ... -
Uwaga, Roszpunka!
(2013)Adaptations of classic children’s stories, especially fairytales and fables, are very popular among today’s publishers. Those adaptations, not necessarily done correctly, often confuse the audience, especially those who ... -
Wielcy pisarze i wielcy reżyserowie. Konflikt środków przekazu w adaptacji literatury przez X muzę
(2013)Moving prose to the screen is not a simple operation of transforming words into images and sounds. The languages of literature and cinema are so different that the cinematographic adaptation actually means creating a new ... -
Wokół Mr. Darcy, Vampyre Amandy Grange
(2013)The paper examines Amanda Grange’s Mr. Darcy, Vampyre as an adaptation of Jane Austen’s novel Pride and Prejudice, focusing on the character types and the sequence of events. -
Wstęp [w: Studia de Cultura 5]
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Zakopiańska metamorfoza Balu w operze
(2013)Witkacy’s team adapted the poem Ball in the Opera and – without losing the beauty of the poetic word – performed its stage transformation. Theatrical signs, though far from an illustrative character, conveyed the metaphoric ...