| dc.contributor.author | Wywioł, Anna | pl |
| dc.date.accessioned | 2026-03-17T11:38:24Z | |
| dc.date.available | 2026-03-17T11:38:24Z | |
| dc.date.issued | 2018 | |
| dc.identifier.citation | Dom, codzienność i święto. Przestrzeń domowa – ludzie i rzeczy. Studia historyczno-antropologiczne / redakcja Bożena Popiołek, Agnieszka Chłosta-Sikorska, Marcin Gadocha. - Kraków : Wydawnictwo Naukowe Uniwersytetu Pedagogicznego, 2018. - S. 216-[225] | pl |
| dc.identifier.uri | http://hdl.handle.net/11716/13833 | |
| dc.description.abstract | Biography is often the key to understanding the artists work. Among others, artist s
family situation or breakthrough moments in life affects the creative process, the
possibilities of creation and the final work of art (manifesting in its expression and
meaning). The everyday life of an artist impinge on his work, and vice versa - the
creator transfers the traumatic situations and moments, portraying loved ones, referring
to the breakthrough events, familiarize yourself (and the recipient) with the
reality. In the popular culture, images are often seen in isolation from their authors,
which pulls them out of their original context and places them in a new one - often
radically different from the original. The example of such phenomenon are Frida
Kahlos works of arts. Kahlo was a Mexican painter - she created her everyday life
through the pictures, mostly self-portraits. | en |
| dc.language.iso | pl | pl |
| dc.title | Przestrzeń codziennego doświadczenia artysty. Między feerią barw a szarą rzeczywistością | pl |
| dc.title.alternative | The artists everyday experience. Between array of colours and the real life | en |
| dc.type | Book chapter | pl |