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dc.contributor.authorWywioł, Annapl
dc.date.accessioned2026-03-17T11:38:24Z
dc.date.available2026-03-17T11:38:24Z
dc.date.issued2018
dc.identifier.citationDom, codzienność i święto. Przestrzeń domowa – ludzie i rzeczy. Studia historyczno-antropologiczne / redakcja Bożena Popiołek, Agnieszka Chłosta-Sikorska, Marcin Gadocha. - Kraków : Wydawnictwo Naukowe Uniwersytetu Pedagogicznego, 2018. - S. 216-[225]pl
dc.identifier.urihttp://hdl.handle.net/11716/13833
dc.description.abstractBiography is often the key to understanding the artists work. Among others, artist s family situation or breakthrough moments in life affects the creative process, the possibilities of creation and the final work of art (manifesting in its expression and meaning). The everyday life of an artist impinge on his work, and vice versa - the creator transfers the traumatic situations and moments, portraying loved ones, referring to the breakthrough events, familiarize yourself (and the recipient) with the reality. In the popular culture, images are often seen in isolation from their authors, which pulls them out of their original context and places them in a new one - often radically different from the original. The example of such phenomenon are Frida Kahlos works of arts. Kahlo was a Mexican painter - she created her everyday life through the pictures, mostly self-portraits.en
dc.language.isoplpl
dc.titlePrzestrzeń codziennego doświadczenia artysty. Między feerią barw a szarą rzeczywistościąpl
dc.title.alternativeThe artists everyday experience. Between array of colours and the real lifeen
dc.typeBook chapterpl


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