| dc.contributor.author | Karnat, Anna | pl |
| dc.date.accessioned | 2026-07-15T06:42:50Z | |
| dc.date.available | 2026-07-15T06:42:50Z | |
| dc.date.issued | 2020 | |
| dc.identifier.citation | Dynamika współczesności / redakcja naukowa Dorota Czakon-Tralski, Piotr Stawiński. - Kraków : Wydawnictwo Naukowe Uniwersytetu Pedagogicznego, 2020. - S. 171-[194] | pl |
| dc.identifier.uri | http://hdl.handle.net/11716/14222 | |
| dc.description.abstract | The text concerns the colorful character of the Swedish writer Henning
Mankell (1948–2015), whose various activities went far beyond the universally
understood role of the creator of literature. He is known not only
as of the creator of criminal novels, moral, children’s literature and playwright
but also as a social activist, an observer of changes taking place
in his native Sweden and a critic of relations prevailing in the modern
world. Part of my reflection relates to Mankell’s latest book, Quicksand:
What It Means to Be a Human Being (Polish: Grząskie piaski), which is
a kind of the writer’s farewell to readers and the world. The awareness of
the inevitable death caused the essays that make up the book to be very
personal, and at the same time showing the attitude of man in the face of
death. This attitude has the hallmarks of a universal human experience
of the end of life. | en |
| dc.language | pl | pl |
| dc.language.iso | pl | pl |
| dc.title | Jak pogodzić się z nieuchronnym? Ars moriendi według Henninga Mankella | pl |
| dc.title.alternative | How to Reconcile with the Inevitable? Ars moriendi According to Henning Mankell | en |
| dc.type | Book chapter | pl |