dc.contributor.author | Kawka, Maciej | pl_PL |
dc.date.accessioned | 2019-09-18T11:22:19Z | |
dc.date.available | 2019-09-18T11:22:19Z | |
dc.date.issued | 2003 | |
dc.identifier.citation | Annales Academiae Paedagogicae Cracoviensis. 9, Studia Ad Bibliothecarum Scientiam Pertinentia 2 (2003), s. [267]-274 | pl_PL |
dc.identifier.uri | http://hdl.handle.net/11716/5886 | |
dc.description.abstract | Stage directions defined pragmatically as information or instruction from the author have been considered in the
context of the dramatic work as a marginal - or side - text. Ingarden’s stratification of the dramatic text
prevents us from taking an overall look at the structure of the work. We can look at the drama from two
perspectives; we can consider it to be a literary work of art or a text whose primary function is to be used for
stage-production. From the modem point of view (especially the functional one), these two perspectives require a
text description which would include both heterogeneous aspects. | en_EN |
dc.language.iso | pl | pl_PL |
dc.title | Czy didaskalia to tekst poboczny dramatu? | pl_PL |
dc.title.alternative | What is the status of stage-directions in the drama? | en_EN |
dc.type | Article | pl_PL |