| dc.contributor.author | Kulawik, Adam | pl_PL |
| dc.date.accessioned | 2019-10-01T13:51:59Z | |
| dc.date.available | 2019-10-01T13:51:59Z | |
| dc.date.issued | 2004 | |
| dc.identifier.citation | Annales Academiae Paedagogicae Cracoviensis. 20, Studia Historicolitteraria 4 (2004), s. [59]-69 | pl_PL |
| dc.identifier.uri | http://hdl.handle.net/11716/6033 | |
| dc.description.abstract | The author conducts the analysis of K.I. Gałczyński’s poem of 1946. In contrast to other poems Kolczyki Izoldy
was not lucky with interpretations. It was either neglected and treated with silence or interpreted in a totally
inadequate way (A. Stawow, A. Sandauer). Kulawik places the poem in the context of political journalism of
Przekrój (E. Osmańczyk), the discussion between J. Kott and M. Dąbrowska and Dwa teatry by J. Szaniawski. Thus,
the author reads the poem as a participating voice in the discussion about the Warsaw Uprising and the attitudes
of Poles towards the post-war reality. | en_EN |
| dc.language.iso | pl | pl_PL |
| dc.title | Kolczyki Izoldy? Kolczyki Baraniej Mordy! | pl_PL |
| dc.title.alternative | Isolde's ear-rings. Sheep Muzzle’s ear-rings | en_EN |
| dc.type | Article | pl_PL |
