| dc.contributor.author | Latawiec, Krystyna | pl_PL |
| dc.date.accessioned | 2020-02-05T12:14:45Z | |
| dc.date.available | 2020-02-05T12:14:45Z | |
| dc.date.issued | 2007 | |
| dc.identifier.citation | Annales Academiae Paedagogicae Cracoviensis. 44, Studia Historicolitteraria 7 (2007), s. [124]-132 | pl_PL |
| dc.identifier.uri | http://hdl.handle.net/11716/6807 | |
| dc.description.abstract | The paper discusses three topos techniques in Polish drama after World War II. Wandering as a figure of fate is the
centre of Roman Brandstaetter’s art. Round structure of a trap is in opposition to the open space of road in
Tymoteusz Karpowicz’s dramas. Whereas, in Władysław Zawistowski’s works, wandering is an allegorical figure and a
metonymy of emigration of the Polish intelligentsia in the 80-ies of the 20th century. Each of those authors
ascribes different meanings to topos: the first one, Christian, the second one, existential and the third one,
political. | en_EN |
| dc.language.iso | pl | pl_PL |
| dc.title | Homo viator w dramacie współczesnym | pl_PL |
| dc.title.alternative | Homo Viator in the Contemporary Drama | en_EN |
| dc.type | Article | pl_PL |
