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dc.contributor.authorSkowronek, Bogusławpl_PL
dc.date.accessioned2022-06-10T11:18:49Z
dc.date.available2022-06-10T11:18:49Z
dc.date.issued2016
dc.identifier.citationEpidemie w dziejach Europy. Konsekwencje społeczne, gospodarcze i kulturowe / redakcja naukowa Krzysztof Polek, Łukasz Tomasz Sroka. - Kraków : Wydawnictwo Naukowe Uniwersytetu Pedagogicznego, 2016. - S. 352-[360]pl_PL
dc.identifier.urihttp://hdl.handle.net/11716/11190
dc.description.abstractThe article treats popular cinema as a very sensitive “seismograph” of social moods. Not only is it an escapist entertainment, but also an accurate commentary on today’s world and its problems. Certain film genres – horror, thriller, science-fiction, catastrophic films – depicting global pandemics prove the thesis well. Many films have shown that fear of an unknown disease, destroying human mind and/or body, is one of the basic human fears. It is often the case that it is not nature that is guilty of global annihilation. It is mankind that is responsible, especially the military, multinational corporations and mad scientists: greedy, cunning, egoistic and uncaring about others. Film works depicting epidemics are usually a warning and a morality play.en_EN
dc.language.isoplpl_PL
dc.titleEpidemie jako metafora. Pandemiczne lęki w kinie popularnympl_PL
dc.title.alternativeEpidemics as a metaphor. Pandemic fears in popular cinemasen_EN
dc.typeBook chapterpl_PL


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