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dc.contributor.authorSułek, Ewapl
dc.date.accessioned2023-06-13T10:53:11Z
dc.date.available2023-06-13T10:53:11Z
dc.date.issued2017
dc.identifier.citationAnnales Universitatis Paedagogicae Cracoviensis. 243. Studia de Arte et Educatione 12 (2017), s. [68]-78pl
dc.identifier.urihttp://hdl.handle.net/11716/12133
dc.description.abstractFrom the very beginning the revolution in Maydan in Ukraine was marked by artistic activities, which were slowly changing into an aesthetic, political, social and personal message. Art became an individual way to express resistance against Russia, an attempt to find identity and a way to fight against pessimism and hopelessness. It was also wisely used to build the certain image of the revolution and the protesters. Street art created during the revolution in 2013 and 2014 came out with the specific iconography. The article is research on that iconography, and the latter phenomenon in Kiev – the continuation of the revolutionary street art in form of big scale murals.en
dc.language.isoplpl
dc.subjectstreet artpl
dc.subjectmuralpl
dc.subjectMajdanpl
dc.subjectUkrainapl
dc.subjectKijówpl
dc.subjectrewolucjapl
dc.subjectsztuka ulicypl
dc.subjectsztuka protestupl
dc.subjectsztuka konfliktupl
dc.subjectstreet arten
dc.subjectmuralen
dc.subjectMaydan of Independenceen
dc.subjectKieven
dc.subjectrevolutionen
dc.subjectprotest arten
dc.subjectconflict arten
dc.titleEstetyka rewolucyjna czy nowa forma nacjonalizmu? Sztuka ulicy w Kijowie w latach 2013–2016pl
dc.title.alternativeAesthetics of revolution or a new form of nationalism? Street art in Kiev in the years 2013–2016en
dc.typeArticlepl


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