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dc.contributor.authorSikora, Piotrpl
dc.date.accessioned2023-06-13T11:46:04Z
dc.date.available2023-06-13T11:46:04Z
dc.date.issued2017
dc.identifier.citationAnnales Universitatis Paedagogicae Cracoviensis. 243. Studia de Arte et Educatione 12 (2017), s. [132]-137pl
dc.identifier.urihttp://hdl.handle.net/11716/12139
dc.description.abstractThe article is focused on the model of photography competitions and it’s influence on the traditional distinction between the role of an art critic and curator. Analyzing contemporary photography in the field of arts I recall quotation from Mieczysław Porębski claiming that the ultimate function of an art critic is “to make art visible” to the wider audience. I make an attempt to apply this specific function into a certain model of art distribution known as photography competitions where jury board use tools taken from art critique and criticality.en
dc.language.isoplpl
dc.subjectkonkursy fotograficznepl
dc.subjectspraw by widzianopl
dc.subjectkrytyka sztukipl
dc.subjectkrytycznośćpl
dc.subjectarchipelagizacja krytykipl
dc.subjectfotografia w polu sztukipl
dc.subjectphoto competitionsen
dc.subjectmake it visibleen
dc.subjectart criticsen
dc.subjectcriticalityen
dc.subjectarchipelagization of art criticsen
dc.subjectphotography in art fielden
dc.titleWładza sądzenia – władza spojrzenia. Rola kuratora i krytyka a ocena fotografiipl
dc.title.alternativeCritique of Judgement – Critique of View. The roles of curators and critiques and evaluation of photographyen
dc.typeArticlepl


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