dc.contributor.author | Kopytko, Natalia | pl |
dc.date.accessioned | 2023-07-28T07:45:45Z | |
dc.date.available | 2023-07-28T07:45:45Z | |
dc.date.issued | 2015 | |
dc.identifier.citation | Annales Universitatis Paedagogicae Cracoviensis. 187, Studia de Arte et Educatione 10 (2015), s. [138]-155 | pl |
dc.identifier.uri | http://hdl.handle.net/11716/12360 | |
dc.description.abstract | The purpose of this article is to present interpenetrating movements lowbrow and street art
which imply different types of creative approaches as a result of acting on contemporary art,
awarding main features in social context and providing internal relations and their impact on
both creators and consumers.
Lowbrow and street art as connective movements between high art, exclusive art world and
low brow art, subcultures, design and commercial art vividly highlight their impact on widely
understood modern culture. Described artistic approaches and characteristics of chosen
representatives of movements mentioned above explain the still undervalued, colorful
diversity of the lowbrow movement as well as underline its highly influential role in shaping
the new, intercultural and intermedial approach in understanding the art of XXI century. | en |
dc.language.iso | pl | pl |
dc.subject | lowbrow | en |
dc.subject | pop-culture | en |
dc.subject | post-Internet | en |
dc.subject | street art | en |
dc.subject | accessible art | en |
dc.subject | popsurrealism | en |
dc.subject | Gary Baseman | en |
dc.subject | Keith Harring | en |
dc.title | „Sztuka dostępna” wobec własnej definicji. Lowbrow i street art | pl |
dc.title.alternative | „Available Art” according to Author’s Definition. Lowbrow and Street Art | en |
dc.type | Article | pl |