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dc.contributor.authorKopytko, Nataliapl
dc.date.accessioned2023-07-28T07:45:45Z
dc.date.available2023-07-28T07:45:45Z
dc.date.issued2015
dc.identifier.citationAnnales Universitatis Paedagogicae Cracoviensis. 187, Studia de Arte et Educatione 10 (2015), s. [138]-155pl
dc.identifier.urihttp://hdl.handle.net/11716/12360
dc.description.abstractThe purpose of this article is to present interpenetrating movements lowbrow and street art which imply different types of creative approaches as a result of acting on contemporary art, awarding main features in social context and providing internal relations and their impact on both creators and consumers. Lowbrow and street art as connective movements between high art, exclusive art world and low brow art, subcultures, design and commercial art vividly highlight their impact on widely understood modern culture. Described artistic approaches and characteristics of chosen representatives of movements mentioned above explain the still undervalued, colorful diversity of the lowbrow movement as well as underline its highly influential role in shaping the new, intercultural and intermedial approach in understanding the art of XXI century.en
dc.language.isoplpl
dc.subjectlowbrowen
dc.subjectpop-cultureen
dc.subjectpost-Interneten
dc.subjectstreet arten
dc.subjectaccessible arten
dc.subjectpopsurrealismen
dc.subjectGary Basemanen
dc.subjectKeith Harringen
dc.title„Sztuka dostępna” wobec własnej definicji. Lowbrow i street artpl
dc.title.alternative„Available Art” according to Author’s Definition. Lowbrow and Street Arten
dc.typeArticlepl


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