Ingardenowskie rozumienie pojęć treść i forma dzieła sztuki literackiej
Author:
Garlej, Beata
xmlui.dri2xhtml.METS-1.0.item-citation: Annales Universitatis Paedagogicae Cracoviensis. 145, Studia Poetica 1 (2013), s. [31]-47
xmlui.dri2xhtml.METS-1.0.item-iso: pl
Subject:
content and form of a literary work of artformal ontology
layers of a literary work of art
intentional objects
phenomenology
Roman Ingarden
Date: 2013
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Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych".Abstract
The article reconstructs the development of Ingarden’s viewpoint on the notions of content
and form of a literary work of art. The author of the article thus calls up a specific methodological
proposition formulated by the phenomenologist, emphasizing the fact that he presented an
innovative and original understanding of both these notions. He built his own understanding
of content and form on the basis of the layered structure of literary works of art. Assumptions
of the latter became the source of concrete and precise formulations of the meaning of both
categories, which – in accordance with the message of the article – seem commendable and
worth of being employed by the contemporary researchers of literature.