Kartoteka w Grotesce – wyimek z twórczości Zofii i Władysława Jaremów
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Author:
Eckert, Grzegorz
xmlui.dri2xhtml.METS-1.0.item-citation: Annales Universitatis Paedagogicae Cracoviensis. 284, Studia Historicolitteraria 19 (2019), s. [243]-256
xmlui.dri2xhtml.METS-1.0.item-iso: pl
Subject:
JaremaMikulski
teatr lalek
Teatr Groteska
Różewicz
Jarema
Mikulski
the theatre of dolls
Groteska Theatre
Różewicz
Date: 2019
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Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych".Abstract
Zofia and Władysław Jarema – the founders of the Groteska Theatre – from the beginning
of their artitistic work in Krakow distanced themselves from perceiving the theatre of dolls
as exclusively children-oriented. By gathering around themselves a group of distinguished
artists, they consistently and reasonably built up the repertoire and Groteska stage for the adult
audience. In their search, they included Konstanty Ildefons Gałczyński, Sławomir Mrożek, and
Tadeusz Różewicz. This paper is an attempt at analysing and reconstructing the performance
of Kartoteka (a drama by Różewicz), which was staged in Groteska Theatre (interpretation
by Zofia Jarema, stage design by Kazimierz Mikulski) a few months after its Warsaw preview
in the Drama Theatre. The author of the paper also discusses the type of influence which this
performance and the Jaremas’ activity in general had on the contemporary theatre of dolls.