O „pamiętnikach mówionych” polskich twórców rockowych na przykładzie Zwierzeń kontestatora Marka Piekarczyka i Leszka Gnoińskiego

Abstract

The article describes selected issues concerning the Polish rock artists’ “table-talks” based on the example of Zwierzenia kontestatora by Marek Piekarczyk and Leszek Gnoiński. In the article, special attention was paid to paratexts (dedication, introduction, titles), the relationship between interlocutors, and also questions and answers. The text also touches upon the reflection on the musician’s “table-talk” in the context of selected aspects of autobiographical memory.