| dc.description.abstract | From the very beginning, performance art has been anti-institutional and counter-cultural.
Because of that performance artists tended to look for other channels to achieve visibility,
often intentionally avoiding it. Since the late 1960s performance art has been exhibited in
independent art spaces, at festivals organised by other artists, as well as in public space as
guerrilla actions. This paper discusses a subjective selection of the most interesting socially
or politically-engaged performances, which at present have taken the form of perfoactivism,
functioning outside the art market and popularly understood art institutions. This article is
also a review of criticism around artivism, focused on writers such as Gregory Sholette, Boris
Groys, Grant Kester, and Claire Bishop. | en |
