2018, Studia de Arte et Educatione 13
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Vanishing Taste: On the Sensual Experience of an Artwork
(2018)The main aim of the article is to analyse the uniqueness of taste experience and its presence in contemporary art. Ephemerality of the sensual experience becomes an important challenge for researchers, art historians, ... -
Artistic Education and the Artist’s Work: the Way out of Producing Objects
(2018)In this article, the changes of the principles of teaching art in the 20th century are discussed. The artist’s path from producing objects to conducting sensory experiences, from producing representations of reality to ... -
Instructive Invisibility: Paradoxical Sub-Pedagogy of Janusz Orbitowski
(2018)The text focuses on Janusz Orbitowski, a Krakow-based painter of geometric abstraction, and on his teaching methods at the Academy of Fine Arts. This discussion is combined with interpretation of his works. Orbitowski’s ... -
Guerrilla Girls: Invisible Sex in the Field of Art
(2018)The article focuses on an artist and activist collective Guerrilla Girls, created in 1985 in order to fight discrimination in the art field. It presents the group’s strategies, using selected actions as examples. The ... -
Perfoactivism: from Three Weeks in May to The Museum of Arte Útil
(2018)From the very beginning, performance art has been anti-institutional and counter-cultural. Because of that performance artists tended to look for other channels to achieve visibility, often intentionally avoiding it. ... -
Coincidentia oppositorum: The Works of Giovanni Anselmo between the Visible and the Invisible
(2018)The Italian artist Giovanni Anselmo (b. Borgofranco d’Ivrea, 1934) was a member of Arte Povera group, which was put together by Germano Celant back in 1967. Anselmo has addressed the invisible in art since the beginning ... -
Disappearing Objects in Georges Didi‑Huberman’s Curatorial Practices
(2018)In this essay, I undertake an analysis of the first exhibition curated by Didi‑ Huberman, L’Empreinte (Imprint), which took place in Centre Pompidou in 1997. In this project, the French philosopher and art historian ... -
The Private Hidden Art of Janusz Kaczorowski
(2018)Artistic practice of Janusz Kaczorowski, of which only a few traces remain in the collections of institutions and in private hands, is characterised by surprisingly high quality of intellectual reflection. With his ... -
Artiste Anonyme / Anonymous Conceptual Artist / Umjetnik u krizi: Goran Trbuljak’s Names and Namelessness
(2018)Goran Trbuljak (b. 1948) is recognized as one of the central figures of Yugoslav Nova umjetnička praksa (New Art Practice), primarily for his early works that engaged in a questioning of the status of the figure of the ... -
Art, Memory and Angel by Czesław Dźwigaj
(2018)The article analyses the process of implementing the idea of commemorating the victims of December 70 in Szczecin. Disputes, discussions and decisions accompanying this monument are doubly symptomatic: they reveal a ... -
Invisible Violence: Drone Warfare and Landscape after 9/11
(2018)The paper investigates representations of landscape in selected examples of contemporary artworks that were produced in the aftermath of and in direct response to the 9/11 terrorist attacks and the subsequent war on ... -
Annales Universitatis Paedagogicae Cracoviensis. 264. Studia de Arte et Educatione 13. Hide-and-seek: Absence, Invisibility, and Contemporary Art Practices
(Wydawnictwo Naukowe Uniwersytetu Pedagogicznego, Kraków, 2018)The 13th issue of the Journal of the Faculty of Art at the Pedagogical University of Krakow, “Annales Universitatis Paedagogicae Cracoviensis. Studia de Arte et Educatione,” addresses invisibility and absence in contemporary ...
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