Pomiędzy sztuką ludową, propagandą a surrealizmem Jak widział przestrzeń publiczną Władysław Hasior

Abstract

The article brings a closer look at examples of Władyslaw Hasior photo-documentary practice of objects in public spaces during communist period in Poland. The text concentrates on the sociological context, which was a kind of exodus that took place in the first after World War II years, when citizens lived in the rural area moved to the cities. This mixing the social strata caused the damage to traditional folks art but also brought what might be called a “new folklore”. Although this area, was beyond interest of researchers and designers. We get a closer look to some set of slides Hasior made and analyze purpose of the objects that he pictured.