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dc.contributor.authorOramus, Romualdpl
dc.date.accessioned2023-07-25T10:39:33Z
dc.date.available2023-07-25T10:39:33Z
dc.date.issued2010
dc.identifier.citationAnnales Universitatis Paedagogicae Cracoviensis. 83, Studia de Arte et Educatione 5 (2010), s. [71]-80pl
dc.identifier.urihttp://hdl.handle.net/11716/12309
dc.description.abstractThe text contains the author’s reflections upon his own printmaking output created over the two decades, but it also goes back to the 1970ies and describes the atmosphere at the printmaker’s workshops at the Academy of Fine Arts in Kraków. Summing up this period, the author concludes that in depictions of figures there dominated geometrized planes of black while colours were flat and contrasted with more expressively depicted physiognomies. In the following series of etchings, aquatints and drawings from the 1980ies there appear existential motifs linked with the folk socio-political context. They present a commentary on the reality of the day. Most of them are monochromatic compositions, usually black and white, some of them, however, have their colour equivalents made in a monotype-related technique.en
dc.language.isoplpl
dc.subjectRomuald Oramus - wspomnieniapl
dc.titleSzalone lata 80. i 90. Wokół grafiki własnejpl
dc.title.alternativeThe crazy 1980ies and 1990ies. On one’s own printmakingen
dc.typeArticlepl


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