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dc.contributor.authorUherek, Pawełpl
dc.date.accessioned2023-07-26T08:15:54Z
dc.date.available2023-07-26T08:15:54Z
dc.date.issued2011
dc.identifier.citationAnnales Universitatis Paedagogicae Cracoviensis. 100, Studia de Arte et Educatione 6 (2011), s. [112]-121pl
dc.identifier.urihttp://hdl.handle.net/11716/12320
dc.description.abstractAt the beginning a sign was a signum. It manifested itself through the presence of human experience, beliefs, hopes and their participation in culture in the core of the word-sign – a word which, as was believed, attempted to explain everything. New technologies, such as the print, led to the alienation of the word; it became an abstract. The audiovisual aspects of the modern culture, however, are beginning to struggle to recover the primal power of the sign. The word-sign begins to re-capture the human perspective. The process of reuniting the word with action and feelings is starting. The sign will be vivid again and will become an immersive experience.en
dc.language.isoplpl
dc.subjectlogospl
dc.subjectlogopl
dc.subjectaudiwizualnośćpl
dc.titleObraz współczesny, czyli w co gramypl
dc.title.alternativeContemporary paintings or what we are playingen
dc.typeArticlepl


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