James Joyce a powieść hipertekstowa. Perspektywa dialogiczna i eksperyment narracyjny
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Author:
Bandrowska, Olha
xmlui.dri2xhtml.METS-1.0.item-citation: Annales Universitatis Paedagogicae Cracoviensis. 115, Studia Linguistica 7 (2012), Dialog z tradycją, cz. 2, s. [5]-12
xmlui.dri2xhtml.METS-1.0.item-iso: pl
Date: 2012
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The paper focuses on tradition and those 20th century interpretations of tradition in which it is
understood as an essential factor in modern culture and literature. The author’s standpoint is
that the concept of trans-discursivity broadens the understanding of tradition since, according
to Michel Foucault, a writer or a scholar in the position of trans-discursivity produces not just
paradigmatic rules for the formation of texts within the defined discourse boundaries but
opens up a possibility of creating texts that, although conceptually different from the original
type of discourse, nevertheless maintain relevance to it. It has been demonstrated that the
innovations introduced by James Joyce in his Ulysses and Finnegans Wake allow the reader
to approach his works in terms of trans-discursivity. Contemporary American hypernovels,
Afternoon: A Story by Michael Joyce and Victory Garden by Stuart Moulthrop, provide ample
evidence to support this claim given that their openness and rhizomatic, non-linear character
of their narratives is rooted in the Joycean tradition of discursivity.