| dc.contributor.author | Roszczynialska, Magdalena | pl_PL |
| dc.date.accessioned | 2019-05-20T08:24:25Z | |
| dc.date.available | 2019-05-20T08:24:25Z | |
| dc.date.issued | 2012 | |
| dc.identifier.citation | Annales Universitatis Paedagogicae Cracoviensis. 115, Studia Linguistica 7 (2012), Dialog z tradycją, cz. 2, s. [65]-76 | pl_PL |
| dc.identifier.uri | http://hdl.handle.net/11716/4941 | |
| dc.description.abstract | The text explains how the Lao Che rock band tackles tradition in their so-called Polish
Triptych. Analyzing the first album, the author shows how the band presents the Slavic
tradition within the postcolonial framework. In the second one, she focuses on the depiction
of the mythology of the Warsaw Uprising and the Polish historical policy based on it. The third
album is dicussed in terms of failure of identity based on religious values, which refuses to
acknolwedge the reality of cosumer society. | en_EN |
| dc.language.iso | pl | pl_PL |
| dc.title | Dialog z tradycją w piosenkach zespołu Lao Che | pl_PL |
| dc.title.alternative | Dialogue with tradition in the lyrics of Lao Che songs | en_EN |
| dc.type | Article | pl_PL |
