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dc.contributor.authorSienko, Mariapl_PL
dc.date.accessioned2020-02-28T12:06:53Z
dc.date.available2020-02-28T12:06:53Z
dc.date.issued2012
dc.identifier.citationAnnales Universitatis Paedagogicae Cracoviensis. 112, Studia de Cultura 3 (2012), s. [56]-65pl_PL
dc.identifier.urihttp://hdl.handle.net/11716/6940
dc.description.abstractThe article reflects on the possibilities of using photography in the contemporary regional education. Using the example of the rich iconography of Nowa Huta, the ways of presenting it in the district’s public sphere (museums, galleries, clubs), as well as using it in the local socio-cultural events, the article discusses various forms of searching for and expressing the phenomenon of this district, its complex history, and the individual and collective identity of the inhabitants through photography. Didactic inspirations derived from the cultural practices enable widening the scope of the young people’s participation in Nowa Huta’s cultural life. They also make us realize the need for greater systemic development of students’ cultural competencies in terms of reading and interpreting photography, as well as the need to shape their creative subjectivity.en_EN
dc.language.isoplpl_PL
dc.subjectfotografiapl_PL
dc.subjectregionalizmpl_PL
dc.subjecttożsamośćpl_PL
dc.subjectmała ojczyznapl_PL
dc.subjectNowa Hutapl_PL
dc.subjectphotographyen_EN
dc.subjectregionalismen_EN
dc.subjectidentityen_EN
dc.subjecthomelanden_EN
dc.subjectNowa Hutaen_EN
dc.titleFotografia w regionalnej edukacji polonistycznej. Przypadek szczególny: Nowa Hutapl_PL
dc.title.alternativePhotography in regional education in Polish studies. A special case: Nowa Hutaen_EN
dc.typeArticlepl_PL


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