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dc.contributor.authorSiuta, Justynapl_PL
dc.date.accessioned2020-02-28T12:30:59Z
dc.date.available2020-02-28T12:30:59Z
dc.date.issued2012
dc.identifier.citationAnnales Universitatis Paedagogicae Cracoviensis. 112, Studia de Cultura 3 (2012), s. [93]-102pl_PL
dc.identifier.urihttp://hdl.handle.net/11716/6944
dc.description.abstractThe text covers the coexistence of libido and the death drive in Cindy Sherman’s art. Her photographs show morphing, repulsive bodies. Photography as such is characterised by the two above-mentioned opposite drives: it is a fetish and a trace of the past. The connection between Eros and Thanatos becomes closer in Cindy Sherman’s art.en_EN
dc.language.isoplpl_PL
dc.subjectCindy Shermanpl_PL
dc.subjectErospl_PL
dc.subjectThanatospl_PL
dc.subjectteoria fotografiipl_PL
dc.subjectfotografia amerykańska XX wiekupl_PL
dc.subjecttożsamośćpl_PL
dc.subjectkultura popularnapl_PL
dc.subjectCindy Shermanen_EN
dc.subjectErosen_EN
dc.subjectThanatosen_EN
dc.subjectphotography theoryen_EN
dc.subject20th century American photographyen_EN
dc.subjectidentityen_EN
dc.subjectpopular cultureen_EN
dc.titleOpowieści erotyczno-tanatyczne. O fotografiach Cindy Shermanpl_PL
dc.title.alternativeErotical-thanatical stories: Cindy Sherman’s photographyen_EN
dc.typeArticlepl_PL


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