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dc.contributor.authorJakubowski, Piotrpl_PL
dc.date.accessioned2020-02-28T12:36:04Z
dc.date.available2020-02-28T12:36:04Z
dc.date.issued2012
dc.identifier.citationAnnales Universitatis Paedagogicae Cracoviensis. 112, Studia de Cultura 3 (2012), s. [103]-111pl_PL
dc.identifier.urihttp://hdl.handle.net/11716/6945
dc.description.abstractThe article contains two parts. In the first, the Author describes the theoretical background for analysing the photographs by an American controversial artist – Joel-Peter Witkin; the analysis is carried out in the second part of the paper. The realistic, authenticity-oriented visions of W. Benjamin, R. Barthes or S. Sontag are confronted with Witkin’s creativeness spirit – clearly manipulating in matters of the order of reality (and its rules of appearance) and photographical stuff. This attitude is supported by François Soulages’ views on aesthetics.en_EN
dc.language.isoplpl_PL
dc.subjectJoel-Peter Witkinpl_PL
dc.subjectfotograficzna kreacjapl_PL
dc.subjectSusan Sontagpl_PL
dc.subjectFrançois Soulagespl_PL
dc.subjectJoel-Peter Witkinen_EN
dc.subjectphotocreationen_EN
dc.subjectSusan Sontagen_EN
dc.subjectFrançois Soulagesen_EN
dc.titleOblicza fantazji – Joel-Peter Witkinpl_PL
dc.title.alternativeJoel-Peter Witkin: faces of fantasyen_EN
dc.typeArticlepl_PL


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