dc.contributor.author | Jakubowski, Piotr | pl_PL |
dc.date.accessioned | 2020-02-28T12:36:04Z | |
dc.date.available | 2020-02-28T12:36:04Z | |
dc.date.issued | 2012 | |
dc.identifier.citation | Annales Universitatis Paedagogicae Cracoviensis. 112, Studia de Cultura 3 (2012), s. [103]-111 | pl_PL |
dc.identifier.uri | http://hdl.handle.net/11716/6945 | |
dc.description.abstract | The article contains two parts. In the first, the Author describes the theoretical background
for analysing the photographs by an American controversial artist – Joel-Peter Witkin; the
analysis is carried out in the second part of the paper. The realistic, authenticity-oriented
visions of W. Benjamin, R. Barthes or S. Sontag are confronted with Witkin’s creativeness
spirit – clearly manipulating in matters of the order of reality (and its rules of appearance) and
photographical stuff. This attitude is supported by François Soulages’ views on aesthetics. | en_EN |
dc.language.iso | pl | pl_PL |
dc.subject | Joel-Peter Witkin | pl_PL |
dc.subject | fotograficzna kreacja | pl_PL |
dc.subject | Susan Sontag | pl_PL |
dc.subject | François Soulages | pl_PL |
dc.subject | Joel-Peter Witkin | en_EN |
dc.subject | photocreation | en_EN |
dc.subject | Susan Sontag | en_EN |
dc.subject | François Soulages | en_EN |
dc.title | Oblicza fantazji – Joel-Peter Witkin | pl_PL |
dc.title.alternative | Joel-Peter Witkin: faces of fantasy | en_EN |
dc.type | Article | pl_PL |