Na granicy pisma : o technologiach poetyckiego wydarzenia

Abstract

The article deals with the new possibilities of sharing poetic experience. On selected autobiographical examples of poetic recordings the author discusses the genre status of the voice poetry. Analyses show various dimensions of “poetry without text”: the author points out the polisensoric, affordative (J.J. Gibson), voice, spatial, relational and affective way of existence of this poetry. Performed artistic experiments allow them to state that the presented polisensory poetic situations reveal new spaces for ontologizing poetry. Activation of additional creative possibilities of the poet connected with technology (motorcycle, audio/video, crossing any modern and spatial borders from Ukraine to Duino Castle in Italy) leads to the indication on the need to create a new poetic interface in Augmented Reality technology.