W stronę przeszłości i marginesu. Miejsca dotknięte Jarosława Iwaszkiewicza
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Author:
Nowicka, Ewa
xmlui.dri2xhtml.METS-1.0.item-citation: Annales Universitatis Paedagogicae Cracoviensis. 173, Studia Historicolitteraria 14 (2014), s. [137]-148
xmlui.dri2xhtml.METS-1.0.item-iso: pl
Subject:
opowiadania Jarosława Iwaszkiewiczageopoetyka
miejsce autobiograficzne
miejsce „dotknięte”
peryferia
pamięć
stories by Jarosław Iwaszkiewicz
geopoetics
autobiographic place
touched place
periphery
memory
Date: 2014
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Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych".Abstract
The article refers to the term “autobiographic place” first proposed by Małgorzata
Czermińska in the field of geopoetics. More precisely, it refers to one of the kinds of such
a place – a touched place. Such a place is encountered during the travel; such an encounter
is usually accidental and “fleeting”, but this place for some reason holds the writer’s interest
and inspires them to create. The examples of such situations can be found in the output of
Jarosław Iwaszkiewicz, who underwent numerous and frequents travels and his output is
suffused with sensual experiencing the outside world. The article describes the fregments of
four stories by Iwaszkiewicz: Młyn nad Utratą (The Mill over Utrata), Młyn nad Lutynią (The
Mill over Lutynia), Kościół w Skaryszewie (The Church in Skaryszewo) and Heydenreich.
The analysis concentrates on how these publications present places that can be found in
a geographical space. The article presents the road that needs to be taken to reach such
places, and most of all the places themselves. The main characteristics are: peripherality and
a kind of “memory exclusion”. Iwaszkiewicz is especially interested in stories connected to
these places, partially recalled from stories of other people, partially created in his stories. In
this way he nobilitates marginalized and forgotten places, places with objectively no value.