Coincidentia oppositorum: The Works of Giovanni Anselmo between the Visible and the Invisible
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Author:
Tiberi, Barbara
xmlui.dri2xhtml.METS-1.0.item-citation: Annales Universitatis Paedagogicae Cracoviensis. 264, Studia de Arte et Educatione 13 (2018), s. [66]-76
xmlui.dri2xhtml.METS-1.0.item-iso: en
Subject:
Giovanni AnselmoArte Povera
Germano Celant
Italian Art
Contemporary Art
Infinite
projection
visible
invisible
light
Art Press
Beatrice Merz
Jean-François Lyotard
Friedrich W. Nietzsche
Achille Bonito Oliva
Massimo Carboni
Michel Foucault
Giovanni Anselmo
Arte Povera
Germano Celant
sztuka włoska
sztuka współczesna
nieskończoność
projekcja
widzialne
niewidzialne
światło
Art Press
Beatrice Merz
Jean-François Lyotard
Friedrich W. Nietzsche
Achille Bonito Oliva
Massimo Carboni
Michel Foucault
Date: 2018
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Show full item recordAbstract
The Italian artist Giovanni Anselmo (b. Borgofranco d’Ivrea, 1934) was a member of Arte
Povera group, which was put together by Germano Celant back in 1967. Anselmo has addressed
the invisible in art since the beginning of his activity, mainly with projections of
words that play with the idea of the visible and the invisible, with the true (or multiple)
meanings of language, and with the very nature of art. He refers to universal and eternal
concepts and opposite pairs, such as the visible and the invisible, the finite and the infinite,
the close and the open, the clear and the blurred, the being and the non-being. In the works
discussed in the paper, the intangible element of the light beam is made visible only through
the projection. It is always the projection of something immaterial on something material,
an entity that participates in the dimension of non-being that is projected onto the world of
being.