dc.contributor.author | Ogonowska, Agnieszka | pl_PL |
dc.date.accessioned | 2020-02-18T16:23:31Z | |
dc.date.available | 2020-02-18T16:23:31Z | |
dc.date.issued | 2010 | |
dc.identifier.citation | Annales Universitatis Paedagogicae Cracoviensis. 88, Studia de Cultura 1 (2010), s. [135]-145 | pl_PL |
dc.identifier.uri | http://hdl.handle.net/11716/6866 | |
dc.description.abstract | The subject matter of this article includes the beginning of Michael Jackson’s career, his
presence in the media, the strategies of creating his public identity as a pop-culture star and
a celebrity, his significance in the pop music and the modern pop culture, the strategies of
the star’s “struggling” with fame and his fans’ expectations, and the issue of “Jackson” being
a product of culture, which continues to exist and develop even after the death of the real
person. | en_EN |
dc.language.iso | pl | pl_PL |
dc.subject | Michael Jackson | en_EN |
dc.subject | celebrity | en_EN |
dc.subject | star of pop-culture | en_EN |
dc.subject | creations of identities | en_EN |
dc.subject | public image | en_EN |
dc.subject | pop culture | en_EN |
dc.subject | politic of body | en_EN |
dc.title | „Król popu nie żyje! Zapraszamy Państwa na spektakl”. Śmierć i umieranie w kulturze celebrytów | pl_PL |
dc.title.alternative | “The King of Pop is dead! Come to see the show” – Death and dying in the celebrities culture | en_EN |
dc.type | Article | pl_PL |