Kultura i natura w Pikniku pod Wiszącą Skałą Petera Weira oraz w Zagadce Kaspara Hausera Wernera Herzoga. Analiza porównawcza

Abstract

In my article I focus on two terms – culture and nature, revealed within two important movies for worldwide film history – Picnic at Hanging Rock (1975) directed by Peter Weir and Werner Herzog’s Kaspar Hauser Mystery (1974). A special way of showing these phenomena in both is connected with the protest which took place in western countries in the second part of the 60s and at the beginning of the 70s. In the article I consider different modes of defining both phenomena by the directors, taking into account theories of e.g. Siegmund Freud, Sherry Ortner or Wojciech J. Burszta and trying apply them to my analysis.