Muzyka i teatr na łamach londyńskiego „Dziennika Polskiego" w latach 1940-1943
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Author:
Chwastyk-Kowalczyk, Jolanta
xmlui.dri2xhtml.METS-1.0.item-citation: Annales Academiae Paedagogicae Cracoviensis. 25, Studia Ad Bibliothecarum Scientiam Pertinentia 3 (2005), s. [107]-119
xmlui.dri2xhtml.METS-1.0.item-iso: pl
Date: 2005
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Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych".Abstract
The article is one more study within the series presenting the cultural life of the Polish emigration, in the
broadest sense of the word, during World War II, as written about in the London “Dziennik Polski in 1940-1943, i.e.
before merging with “Dziennik Żołnierza”. It analyses the music and the theatre. It argues that the Poles-artists,
everyone of them, to the best of their abilities, got actively involved in the struggle to maintain the vitality of
the Polish cause on the international arena during the discussed period. They accomplished that through organizing
regular concerts and recitals in Great Britain, the United States, in the Middle East, or in Africa; promoting the
Polish music by Fryderyk Chopin, Ignacy Paderewski (including his patriotic political activity) and Stanisław
Moniuszko; presenting the profiles of the contemporary Polish composers living abroad, as for example Henryk
Opieński; organizing fundraisers for the Polish prisoners of war; organizing theatre and ballet performances.
Glorification of the national composers and performers was also meant to augment the national pride, and to build
the sense of national community in the traumatic time of war.