Prekolumbijska rzeźba Meksyku i jej wpływ na moją twórczość
Author:
Moskała, Stanisław
xmlui.dri2xhtml.METS-1.0.item-citation: Annales Academiae Paedagogicae Cracoviensis. 27, Studia de Arte et Educatione 1 (2005), s. [56]-63
xmlui.dri2xhtml.METS-1.0.item-iso: pl
Date: 2005
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Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych".Abstract
The area of Central America in pre-Columbian times was a mosaic of peoples, languages and cultures. Over centuries
it was inhabited by various tribes in mutual interaction, among which the major ones were Olmecs, Totonacs,
Huastecs, Teoticuacan culture, Toltecs, Zapotecs, Aztecs and Maya. Some of these cultures found their best
expression in sculpture introducing their own and new expressive means. Their art was most influential and
indirectly affected my own creative output. That is especially visible in ceramic sculpture. Ceramics as a
sculpting material was oldest and most widely used in Mexico. What some cultures left behind were only sculptures
and pottery, and it was thanks to ceramics that we could gather knowledge about them.