Kilka uwag na temat neuroestetyki. Na marginesie książki G. Gabrielle Starr, Feeling Beauty. The Neuroscience of Aesthetic Experience
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Author:
Bankiewicz, Paweł
xmlui.dri2xhtml.METS-1.0.item-citation: Annales Universitatis Paedagogicae Cracoviensis. 157, Studia de Arte et Educatione 9 (2014), s. [207]-218
xmlui.dri2xhtml.METS-1.0.item-iso: pl
Subject:
neuroaestheticsaesthetics
cognitive psychology
evolutionary psychology
modularity of mind
neuroimaging
mechanisms of perceiving works of art
Date: 2014
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Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych".Abstract
The article comprises a review of basic methodological assumptions of neuroaesthetics. The
author indicates a connection between neuroaesthetic research and conclusions in cognitive
psychology, as well as evolutionary psychology. He puts forward a thesis concerning little
usefulness of neuroaesthetic brain examination and evolutionary conceptual schema for the
understanding of works of art and aesthetic experiences. To substantiate it, he carries out
an analysis of chosen elements of solutions by A. Chatterjee, S. Zeki, V.S. Ramachandran and
W. Hirstein. A better example for using brain examination in aesthetics seems to be Gabrielle
G. Starr work devoted to neural basis of aesthetic sensations.