Policzmy Trylogię Sienkiewicza
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Autor:
Rybicki, Jan
Źródło: Annales Universitatis Paedagogicae Cracoviensis. 73, Studia Historicolitteraria 10 (2010), s. [85]-109
Język: pl
Data: 2010
Metadata
Pokaż pełny rekordOpis:
Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych".Streszczenie
This paper is an attempt to show how various countable features of a literary text – exemplified
here by the trilogy of historical romances by Henryk Sienkiewicz – can be helpful in contrastive
analyses between writings by two or more authors, writings by the same author, or even
different fragments of the same text (volumes, chapters, characters’ individual languages).
The simplest measures (leading to the simplest conclusions) include text size expressed in
various units (number of words, sentences, paragraphs) and proportions in various modes
of writing (e.g. dialogue vs. narration); somewhat more complex is the calculation and the
evaluation of vocabulary richness (or lexical density) – the paper proposes Standardized
Type/Token Ratio as the method exhibiting the least dependence on text size. At this point,
the importance of calculating statistical significance is claimed.
Distribution graphs are useful in presenting the trends in chapter length, which behave
differently for different parts of the Trilogy. Sentence length is confronted with content; the
longest sentences in Sienkiewicz’s masterpiece have been found to be connected with the
political/military context.
The sizes of individual characters’ parts in the dialogue might be found in interesting
connection with the significance of each character in the story; in Sienkiewicz, feminine parts
are markedly shorter than masculine. The same is true of vocabulary richness of these parts.
The study of keywords (words statistically significantly more or less frequent in one text
as compared with another text) also yields interesting information on Sienkiewicz’s writing
technique. Most importantly, a repeated phenomenon has been observed: in all parts of the
Trilogy, the initially infrequent lecz tends to gradually increase its occurrence at the expense
of the generally more frequent ale.