| dc.description.abstract | Tadeusz Kudliński remained in the memory of Cracovians, above all, as a theatre critic and the
author of books dedicated to this topic, which have been republished many times. Serving the
function of an educational mission, they combined a harmonious perspective of a historian,
researcher, critic, polemicist and apologist, who was also a great story-teller. The role of a
‘theatre man’, which he assumed, also included contacts with amateur theatre, discussions
with audience and cooperation with the Theatre Lovers Club. Views on art which had clashed
in the preceding century, were clearly reflected in the monographs and collections of reviews
written by the author, for whom the history of the theatre was, in fact, the history of drama.
For years, Kudliński consistently carried out his ‘theatre lesson’. It revolved around numerous
issues – from the description of various theatrical aesthetics, through the search for ‘a Polish
style’ of performance, to the characterisation of experimental groups (e.g. Grotowski’s or
student theatre). The critic placed experiment on the side of cultural life, on no account in
the popular theatre, therefore, he criticised all Polish directors from the second half of the
20th century who staged ‘experimentally’, especially classics. Being a traditionalist and a
supporter of theatrical illusion, he attacked Brecht’s model of epic performance, glorifying
”the process of actor transformation”, although he emphasised that it doesn’t have to ”concern
only reality.” He provoked, irritated – and taught, which can be confirmed by the fact that his
books about theatre are still widely read nowadays. | en_EN |
