Film na łamach londyńskiego „Dziennika Polskiego i Dziennika Żołnierza” w latach 1944–1989
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Author:
Chwastyk-Kowalczyk, Jolanta
xmlui.dri2xhtml.METS-1.0.item-citation: Annales Academiae Paedagogicae Cracoviensis. 61, Studia ad Bibliothecarum Scientiam Pertinentia 6 (2008), s. [50]-76
xmlui.dri2xhtml.METS-1.0.item-iso: pl
Date: 2008
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Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych".Abstract
The article discusses the film-related issues presented on the pages of the London newspaper
“Polish Daily and Soldier’s Daily” in years 1944-1989. Film was a regular theme in the newspaper,
present in the columns: Calendar, From the film, Film, New films, On the silver screen,
What’s on? On the screen, From the cinema, On the small screen, From the world of the film,
Film chronicle, Polish films, On the screen, To the cinema! What’s on at the cinema? A week in
London. It was also present in supplements: Literary Wednesday, Contours. The subject of film
was also brought up by: Spectator, Tadeusz Wittlin, Konrad Tom, Jerzy Pietrkiewicz, Wacław
Alfred Zbyszewski, Marek Święcicki, Karol Zbyszewski, Zygmunt Nowakowski, Wiesław
Wohnout, Bolesław Sulik, Maciej Cybulski, Lesław Bobka, Zdzisław Broncel, Anna Wołek,
Alina Perth-Grabowska, and Aleksander Blum. They described the propaganda film shows in
different countries during the World War II, which were organized by the Ministry of Information
and Documentation of the Polish government in exile; after the war, they wrote about the
situation of the Polish film industry, in Poland and abroad, presented film reviews of Polish and
foreign productions, reported from film festivals in Venice, Cannes and London, covered the
current film offer of the British cinemas and the work of Polish and foreign actors and directors
in the global film production, including the TV; they analyzed film adaptations of Polish novels
and discussed the issue of film-makers’ collaboration with Germans during the war.
The article recalls the initiative of the Polish emigrants in London (1978), who suggested
producing a one-hour video on Pope John Paul II in Polish and English. The proposed title was
This is a Man, the director was Howard Ross, and the text author was Bolesław Sulik. They
also suggested creating a film archive ”independence” – emigration representatives in Great
Britain.