Browsing 2013, Studia de Cultura 5 by Issue Date
Now showing items 1-20 of 26
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Adaptacja filmowa jako dominujący typ lektury pierwowzoru
(2013)According to aesthetic sociologism, film is the result of socio-economic determinants, and its shape is determined by the ideology of the group expressing itself. As addressed to a wide audience, it refers to the stereotypes ... -
Wstęp [w: Studia de Cultura 5]
(2013) -
Annales Universitatis Paedagogicae Cracoviensis. 135. Studia de Cultura 5
(Wydawnictwo Naukowe Uniwersytetu Pedagogicznego, Kraków, 2013) -
Proza żołnierska I wojny światowej i jej «re-kreacje» w Lekcji martwego języka Andrzeja Kuśniewicza
(2013)Polish prose of the First World War is mostly associated with the Polish Legions. Agnieszka Prószyńska has established that works showing battles of the Polish Legions and other national volunteer formations have similar ... -
Zakopiańska metamorfoza Balu w operze
(2013)Witkacy’s team adapted the poem Ball in the Opera and – without losing the beauty of the poetic word – performed its stage transformation. Theatrical signs, though far from an illustrative character, conveyed the metaphoric ... -
Twórczość Chrisa Eyre’a w kontekście problemów filmowych adaptacji
(2013)Chris Eyre is a native American independent filmmaker. Some of his films are based on the books by Sherman Alexie and Tony Hillerman. At the same time, Eyre adapts American mainstream film genres (road movies, sport ... -
Wielcy pisarze i wielcy reżyserowie. Konflikt środków przekazu w adaptacji literatury przez X muzę
(2013)Moving prose to the screen is not a simple operation of transforming words into images and sounds. The languages of literature and cinema are so different that the cinematographic adaptation actually means creating a new ... -
Sensotwórcze możliwości adaptacyjne typografii kinetycznej. Rekonesans badawczy
(2013)Kinetic Typography is, generally speaking, animated text. It has been considered purely in terms of graphics as well as a new kind of communication, bringing some of the expressive power of film. It is worth looking at ... -
Ponglish jako przykład adaptacji językowo-kulturowej
(2013)This paper is devoted to the linguistic and cultural integration of Polish immigrants in Great Britain. Together with the onset of the mass immigration of Poles to Britain in 2004, our UK-based compatriots entered a ... -
Uwaga, Roszpunka!
(2013)Adaptations of classic children’s stories, especially fairytales and fables, are very popular among today’s publishers. Those adaptations, not necessarily done correctly, often confuse the audience, especially those who ... -
„Przepis na adaptację” Jana Jakuba Kolskiego i jego realizacja w filmie Wenecja
(2013)In 2010 Jan Jakub Kolski published his book: Pamięć podróżna. Fragmentozbiór filmowy. In the book Kolski expresses his opinion on film adaptation from the point of view of a practitioner; in a methodical and practical ... -
C.S. Lewis. Adaptacje życia i twórczości
(2013)The author discusses film representations of the life of C.S. Lewis – a famous English Christian writer. She also focuses on adaptations (that include books, television and cinema) of his most famous series The Chronicles ... -
Przyjemność „instant” w formatach rozrywkowych z perspektywy procesów poznawczych i emocjonalnych
(2013)The article examines some issues of psychological determinants in the context of potential gratification arising from the customer’s involvement in the reality mediated by the media. Using the construct of cognitive ... -
Inscenizacje intermedialności w filmie Tlen Iwana Wyrypajewa
(2013)Intermediality of the cinema has been discussed many times, and what is especially indicated is a specific “imprint” that was left on film by the theatre. Similarities between a movie and a performance are described well ... -
Strategie obrazu. O „adaptacjach” Jeana-Luc Godarda
(2013)The article results from introductory research into the question of broadly defined pictorialness of film images in Jean-Luc Godard’s works. Strategies of the image inscribed by the director in his own films may be ... -
Gra czy film interaktywny? Czyli o wizualności współczesnych produkcji cRPG na przykładzie gry Wiedźmin 2
(2013)In the article, it is pointed out that in modern computer games extended narratives are gradually abandoned while more emphasis is put on visuality and film-like character of the image, and on mimetism, understood not ... -
Co użytkownicy robią z treściami medialnymi? Reklama i „partyzantka semiotyczna” w kulturze uczestnictwa
(2013)Creating contents and distributing it in the Internet by the media recipients/customers is one of the determinants of the participatory culture. Amateur creativity takes different forms: from entries and comments, to ... -
Twórca hiphopowy jako artysta intermedialny: άοιδός, vates, performer
(2013)This paper will analyze the hip-hop art composition as an intermedial structure created from such elements as: musical text, post-typographic orature and visual image, in which the postmoderm poetics is linked with ... -
Blondynki na krańcu świata. Kobieca opowieść o Czarnym Lądzie
(2013)The text is an attempt at determining in which direction the contemporary travel documentary is going, based on the example of artistic achievements of Beata Pawlikowska and Martyna Wojciechowska. The authors, using the ... -
Magazyn dla kobiet jako opowieść
(2013)On the fiction pages of women’s weeklies representing mainstream popular culture, there is a constant migration of literary genres from elite culture into a mix of magazine narratives. As a result, the language and style ...