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dc.contributor.authorWójcik, Grzegorzpl_PL
dc.date.accessioned2020-03-13T09:44:36Z
dc.date.available2020-03-13T09:44:36Z
dc.date.issued2014
dc.identifier.citationAnnales Universitatis Paedagogicae Cracoviensis. 168, Studia de Cultura 6 (2014), s. [59]-67pl_PL
dc.identifier.urihttp://hdl.handle.net/11716/6965
dc.description.abstractIn my article I focus on two terms – culture and nature, revealed within two important movies for worldwide film history – Picnic at Hanging Rock (1975) directed by Peter Weir and Werner Herzog’s Kaspar Hauser Mystery (1974). A special way of showing these phenomena in both is connected with the protest which took place in western countries in the second part of the 60s and at the beginning of the 70s. In the article I consider different modes of defining both phenomena by the directors, taking into account theories of e.g. Siegmund Freud, Sherry Ortner or Wojciech J. Burszta and trying apply them to my analysis.en_EN
dc.language.isoplpl_PL
dc.subjectnaturapl_PL
dc.subjectkulturapl_PL
dc.subjectfilm fabularnypl_PL
dc.subjectkontestacja przełomu lat 60. i 70. XX w.pl_PL
dc.subjectcultureen_EN
dc.subjectnatureen_EN
dc.subjectfeature filmen_EN
dc.subjectprotests at the turn of the 60s. and 70s. of the 20th centuryen_EN
dc.titleKultura i natura w Pikniku pod Wiszącą Skałą Petera Weira oraz w Zagadce Kaspara Hausera Wernera Herzoga. Analiza porównawczapl_PL
dc.title.alternativeCulture and Nature Phenomena within the Picnic at Hanging Rock directed by Peter Weir and Werner Herzog’s Kaspar Hauser’s Mystery. A comparative Analysisen_EN
dc.typeArticlepl_PL


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