Wyświetlanie pozycji 1-20 z 62

    • Przestrzeń jako środek wyrazu w rzeźbie XX wieku 

      Jeleńska-Papp, Janina (2008)
      Until the end of the 19th century, sculpture was based around the classical compositional assumptions of Greek sculpture such as: harmony, symmetry, rhythm, as well as the rules of the organic construction of a human ...
    • Literacka poetyka i jej filozoficzna funkcja w sztuce współczesnej na przykładzie konceptualnych projektów Ona Kawary i Romana Opałki 

      Solewski, Rafał (2008)
      The text refers to the conceptual tradition of concentrating on the intellectual transmission of a work of art looking at Joseph Kosuth’s actions as an example it points out how the manifestation of resistance to the ...
    • Symbolika w dziele rzeźbiarskim 

      Olkuska, Małgorzata (2008)
      Reflections on symbolism in sculpture concentrate on the essence of the sculptor’s symbolism of transmission of the universal, individual and personal essence. Reflections are expressed in a cross-sectional form through ...
    • Nowe media – nowa sztuka 

      Sajduk, Marek (2008)
      The way of looking, seeing will never be the same as they were before photography was discovered. A similar revolution with our way of thinking may happen: that would be because of the hypertextual structure of the content ...
    • Technologia w kreacji artystycznej w odniesieniu do litografii 

      Zaborski, Jacek (2008)
      Lithography was a revolutionary invention. The complexity of processes and the simplicity of phenomena, as well as multiformity and naturalness of lithography has fascinated many artists. However, the specificity of ...
    • Grafika komputerowa – technika analogowa czy nowe medium? 

      Panasiewicz, Adam (2008)
      The text elaborates on the problem of the independence of analog and digital graphic art in the context of the traditions of printing techniques, but also in the confrontation with the development of graphic techniques ...
    • Metarysunek 

      Cader, Halina (2008)
      The article considers the original project of five drawing classes with the comments on these classes. The project was realised by a group of students in the third year who specialise in Art Education, supervised by the ...
    • Trzy odsłony słowa. Sztuka Ewy Sataleckiej 

      Stano, Bernadeta (2009)
      Ewa Satalecka is a graphic designer, typographer, stage designer and teacher. She makes visual presentations of texts with the music of such composers as Witold Lutoslawski, Witold Szalonek, Philip Glass and Alfred Schnittke. ...
    • Wypowiedź jako forma percepcji współczesnej sztuki wizualnej 

      Solewski, Rafał (2009)
      After the discussion on the definition of the utterance, the author of the article suggests the possible use of the word in the visual art domain. The basic examples of the 20th century conceptual artworks, autotelically ...
    • Słowo, pismo, obraz i myślenie w sztukach wizualnych 

      Bednarczyk, Agata; Solewski, Rafał (2009)
      The divergence of the idea, the word, and its visual record results in an opportunity for extremely different approaches to the semantics of the word and to the iconic function of the written character within the realm of ...
    • Peintre-graveur, malarz uprawiający grafikę. Współzależność technologii i formy 

      Oramus, Romuald (2010)
      The first part of the article discusses the figures of Albrecht Dürer and Rembrandt van Rijn as they were able not only to pass on the topics and problems of the epoch in which they happened to live but ...
    • Przeżycie, refleksja, obraz, czyli parę słów o własnej twórczości 

      Zaborski, Jacek (2010)
      Jacek Zaborski attempts to approach his own output in the field of lithography. Among others, he describes and analyzes works from the years 1983-1995. At that time, as he points out, he was driven by a ...
    • O iluzji czasu, sklonowanym życiu, wirtualnym raju, sztuce i edukacji w Second Life 

      Petry, Małgorzata (2010)
      The author uses the term virtual world to describe Second Life (SL), the product of the US company Linden Lab from San Francisco launched in 2003. Using avatars, its users move in a three-dimensional space as in many ...
    • Szalone lata 80. i 90. Wokół grafiki własnej 

      Oramus, Romuald (2010)
      The text contains the author’s reflections upon his own printmaking output created over the two decades, but it also goes back to the 1970ies and describes the atmosphere at the printmaker’s workshops at the Academy of ...
    • Tkanina i papier jako alternatywne środki obrazowania 

      Brylewska, Grażyna (2010)
      The author points out an important issue such as the broadening of the definition of a picture. This is facilitated, inter alia, by the creation of dimensional works whose form may be associated with relief ...
    • Technologia współczesnej polichromii. Wybrane zagadnienia malarstwa ściennego 

      Orzech, Lucjan (2010)
      The article focuses on issues related to contemporary wall painting. The author of the article, familiar with the topic from his own practical experience, argues as follows: he stresses that what decides about the level ...
    • Warsztat podręczny Juliana Jończyka 

      Stano, Bernadeta (2010)
      Art historians tend to identify Julian Jończyk with a few trends in art such as material painting at the outset of his work in the 2nd half of the 1950ies and concrete poetry, as well as performance and environment ...
    • Wola i okiełznanie 

      Solewski, Rafał (2010)
      The text presents the meeting with Piotr Jargusz and his art which introduces the artist’s dynamic personality, habitual residence, emotional journeys and his deep relation with family and memory. All these ...
    • Peregrynacje prywatne. O rysunkach Piotra Jargusza 

      Stano, Bernadeta (2010)
      The paper is an impression concerning Piotr Jargusz’s drawings: their inspirations, their creation methods and their presentation to the public.
    • Ilustracje dla dzieci Józefa Wilkonia 

      Stano, Bernadeta; Kasprzyk, Barbara (2011)
      The sketch treats about selected examples of Józef Wilkoń’s illustrations for children books. The artist has been collaborating with publishing houses since 1957 and is continuously improving his artistic techniques. He ...