Ofelia Pirandella: rozważania nad kobiecym szaleństwem
Oglądaj/ Otwórz
Autor:
Koman, Aleksandra
Źródło: Annales Universitatis Paedagogicae Cracoviensis. 228, Studia Historicolitteraria 17 (2017), s. [150]-158
Język: pl
Słowa kluczowe:
Luigi PirandelloJaką mnie pragniesz
bezosobowość
Ofelia
tarantyzm
Aleksandra Mianowska
Jean-Martin Charcot
kobiece szaleństwo
kobieca tożsamość
Elaine Showalter
krytyka feministyczna
Luigi Pirandello
As you desire me
impersonality
Ophelia
tarantism
Jean-Martin Charcot
Aleksandra Mianowska
female madness
female identity
Elaine Showalter
feminist literary criticism
Data: 2017
Metadata
Pokaż pełny rekordOpis:
Dokument cyfrowy wytworzony, opracowany, opublikowany oraz finansowany w ramach programu "Społeczna Odpowiedzialność Nauki" - modułu "Wsparcie dla bibliotek naukowych" przez Ministerstwo Nauki i Szkolnictwa Wyższego w projekcie nr rej. SONB/SP/465103/2020 pt. "Organizacja kolekcji czasopism naukowych w Repozytorium UP wraz z wykonaniem rekordów analitycznych".Streszczenie
The article is devoted to an analysis of Luigi Pirandello’s drama As You Desire Me which draws
inspiration from an actual event connected with questions on the identity of a person suffering
from amnesia. Unlike the real incident, the main character of Pirandello’s is a woman known
only by her alias Stranger, as the main theme of the drama is establishing her true identity. The
present article aims at proving that Pirandello’s drama is not a criminal mystery, but rather
a deep reflection on the notion of human personality which in the case of a woman receives
new, interesting meanings. One of them is spotting the correspondence between Pirandelli’s
Stranger and Shakespeare’s Ophelia, as madness of both characters appears to have similar
roots: female’s insanity seen through the prism of both dramas appears as defiance against
the culture of patriarchy, but also stems from the conviction of one’s own emptiness and
undefinedness. In this context, referring to studies on feminist criticism (E. Shawalter,
K. Kłosińska, K. Woźniak), including studies on female hysteria is of relevance. Even though
the structure of drama appears to lead to a finale in which the truth about the character is
uncovered, Pirandello does not reveal her true identity. However, questions on female identity
and female madness are worth reflecting upon, even if they remain unanswered.